Majority
In 1876, Samuel L. Clemens, under his pen name of “ Mark Twain ”, wrote a story entitled “ A Murder, A Mystery and A Marriage ”, and in the same year offered the manuscript to William Dean Howells, editor of the Atlantic Monthly, for publication. There followed, during the same year, some correspondence between Twain and Howells, in which was discussed an unusual project which the author had in mind: he proposed that a number of other famous writers of the period (such as Bret Harte and Howells himself) be enlisted, each to write his own final chapter for the work, so that for the mystery set up in the first few chapters, each author would compose a solution, in addition to, or in competition with Twain’s own denouement. In other words, as planned by Twain, there was to be a common plot for the story, with a number of different endings. For one reason or another, including the reluctance of famous writers to dance to a rival’s music, Twain’s pet scheme came to nothing. Twenty years later, an entry in Twain’s diary dated March 18, 1897, records a rather vague hope of the author to “ make a skeleton novelette plot and write all the stories myself ” or use it as the basis for a prize story competition. Whether that entry referred to 1 ‘ A Murder, A Mystery and A Marriage ” we do not know, but there is undisputed proof, credited by both courts below, that when Mark Twain died in 1910, the manuscript of “ A Murder, A Mystery and a Marriage ’ ’ was not found among his effects and had never been published anywhere, by anyone.
In 1945, defendant Feldman bought the original manuscript (holographic and signed) at an auction sale, in New York City, of the rare books and manuscripts that had been in the possession, during his life, of Dr. James Brentano Clemens (no kin of Mark Twain) and had passed by inheritance to Dr. Clemens’ wife. How Dr. Clemens came to have the writing is unknown.
The trial court was of the opinion that ‘ ‘ it must be presumed that its transfer [by Twain] was legal and that all rights in connection with it have passed to defendant, the ultimate pur-, chaser.” The trial court therefore made a finding that Twain during his lifetime had transferred and conveyed the manuscript, and that such transfer and conveyance “ was made without any reservation of his [Twain’s] right to publish or reproduce the same.” Under the rule of Pushman v. New York Graphic Soc. ( 287 N. Y. 302 ) and many older authorities, such an unrestricted transfer of this fictional manuscript (if it ever occurred) would probably have carried with it, and amounted to, a transfer of the common-law copyright and right to reproduce. On the trial, therefore, the complaint was dismissed on the merits.
On appeal, however, the Appellate Division reversed the findings below, and made new fact findings of its own. It concluded that “ it is impossible to spell out from the known conduct of the author that there was a voluntary transfer of the manuscript to anyone which carried with it the privilege of publication.” ( 274 App. Div. 515 , 518.) In other words, the Appellate Division, noting that there was no direct evidence of any unrestricted transfer during the author’s lifetime, found no basis for presuming or inferring such a grant by Twain, much less for presuming or inferring that such a transfer, or a series of transfers, all unrestricted, had carried the paper into the ownership and possession of Dr. James Brentano Clemens. Putting its views into a formal decision, the Appellate Division made new findings of fact to the effect that
Under familiar rules (Civ. Prac. Act, § 605; Pocket Books, Inc., v. Meyers, 292 N. Y. 58 ) we are, because of the reversal and the making of new findings by the Appellate Division, required to determine whether the weight of evidence lies with one or the other set of findings. From the proofs briefly referred to herein, and other convincing items in the record, we conclude that the great weight of evidence is that Mark Twain never parted with the publication rights to this novelette or plot, and that neither defendant nor anyone else ever acquired them. (In coming to that conclusion we do not rely, since the Appellate Division "made no finding in this connection, on any of the indications that this material was only a plot or outline and never really finished.)
With the facts in that posture, little problem remains. The common-law copyright, or right of first publication, is a right different from that of ownership of the physical paper; the first of those rights does not necessarily pass with the second; and “ the separate common law copyright or control of the right to reproduce belongs to the artist or author until disposed of by him and will be protected by the courts ” (see Pushman v. New York Graphic Soc., 287 N. Y. 302 , 307, supra, and cases cited thereat; see similarly, as to statutory copyright, U. S. Code, tit. 17, § 27). Since it has here been found to be the fact that, however the manuscript left the possession of the author, he never intended that it be published, it follows that defendant could not have bought the publication rights.
A recent commentary on this case ( 62 Harv. L. Rev. 1406 -1407) suggests that it may be contrary to sound policy to
The judgment should be affirmed, with costs.
Loúghban, Ch. J., Lewis, Conway, Dye, Ftjld and Bromley, JJ., concur.
Judgment affirmed.
Cases cited
- Pushman v. New York Graphic Society, Inc. 287 N. Y. 302 at 307 p. 136, p. 138, p. 139
- Yardley v. Houghton Mifflin Co. 309 U. S. 686 p. 136
- Rawley v. Brown 71 N. Y. 85 p. 136
- Lowery v. Erskine 113 N. Y. 52 p. 136, p. 137
- Gillette v. Stoll Film Co. 120 Misc. 850 p. 136
- Pocket Books, Inc. v. Meyers 292 N. Y. 58 p. 139