Majority
Headnote
1. Criminal Law—Public Nuisance.The defendant was convicted, under section 385 of the Penal Code, of the misdemeanor of maintaining a public nuisance. The nuisance consisted of the public performance, in a theatre in this city, of a pantomime called “ Orange Blossoms,” which, as the information charged, was offensive to public decency. Neither the specifications upon which the charge rested nor the proofs in support of the information need be stated in detail. They may, with great propriety, be condensed and any statement thereof limited to the facts essential to a proper understanding of the questions presented for decision.
The pantomime commences with the scenic representation of a
It is apparent that the one all pervading feature of this performance is its suggestiveness. Take that away and nothing is left; that is, nothing which would be in the least likely to draw an audience. The story told would then become vapid and meaningless. What the representation essentially suggests is indecency. It is permeated with that character throughout. To suggest that, is its single idea and purpose. It is that which it presents to the eye, the mind and the imagination. The picture is unmistakable. Plot and action unite to color and emphasize it
It is well settled that whatever outrages public decency and is injurious to the public morals is indictable.- This general subject was fully discussed in People v. Muller ( 96 N. Y., 408 ), and the test of criminality was there carefully stated. That test is whether the picture presented to the eye “ is naturally calculated to excite in a spectator impure imagination, and whether the other incidents and qualities, however attractive, were merely accessory to this as the primary or main purpose of the representation. ” Substantially the same test was applied in Eegina v. Hickman (L. R., 3 Q. B., 369 ), namely, whether the tendency of the matter charged is to deprave or corrupt those whose minds are open to
It remains but to consider briefly two positions taken upon behalf of the defendant.
The first is that public decency was not offended, because the actress who played the part of the bride exposed but little of her person.
Second, that the suggestiveness of the exhibition was connected with lawful marriage, and not with illicit relations.
As to the first position, we need only say that the test to which reference has been made embraces any picture which tends to deprave and corrupt the morals of those whose minds are open to such influences; and that in applying this test regard is always had to the idea conveyed (U. S. v. Bennett. 16 Blatch., U. S., 862, and cases already cited.) Such a performance as that under consideration is really more dangerous to the public morals than any mere vulgar exhibition of nudity. The latter may arouse impure thoughts, but it is more apt to excite disgust.
The greater danger lies in an appeal to the imagination and when the suggestion is immoral the more that is left-to the imagination the more subtle and seductive the influence.
The appellant’s second position is somewhat startling. Its logic woukl justify an advance into even a grosser domain than that of suggestiveness. According to this view, no public display of any form or expression of marital intimacy could be held to be indecent. The proposition is preposterous. The picture is none the less licentious because it is painted upon a clean canvass. The aim here was not to honor, but to degrade marriage; and the defendant’s guilt is enhanced, nor diminished, by his utilization of its sacred confidences to serve Ms criminal purpose.
■ The judgment should be affirmed
All concur.